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Canvas or Paper? Why I Create Seascape Oil Paintings on Paper

  • Writer: Marina Syntelis
    Marina Syntelis
  • Aug 22
  • 3 min read

mall original seascape painting of crashing ocean waves in rich blues and whites, painted in oil on Fabriano paper.
Oil Sketxh 2024-8

Seascape Oil Paintings on Paper: A Creative Choice


As a painter, when I am about to start a new painting, I often face a very simple question: canvas or paper? Well, I’ve discovered that painting seascapes in oil on acid-free paper offers me an immediacy and raw honesty that canvas sometimes cannot.


In this post, I’d like to share why I turn to paper for my original seascape works and what this choice offers both to me as an artist and to collectors of my works.


My Need to Work Fast And How Paper Helps


Painting seascapes can feel like chasing the horizon. Moments of effortless flow, and others when I overwork the piece, tightening it until it loses life.


During those times, working faster becomes essential. Small sheets of paper encourage me to move decisively, trusting instinct over perfection. My brushstrokes loosen; my compositions stay fresh. Just like the sea itself, the process becomes dynamic and alive.



Discovering Canvas-Textured Paper for Oils


At first, I painted with oils on plain acid-free watercolor paper, primed with gesso or even wood glue to seal my surface in order to hold the oils. While this worked, it added time and sometimes resulted in

uneven textures.


After a while, I discovered canvas-textured, acid-free paper designed to hold oil paint beautifully, without priming. Its texture welcomes glazes and multiple layers, letting me build depth and translucency very much the way I build them on canvas. With this paper, I can paint just as freely, with even more spontaneity.



From Big to Small and Back Again


Painting on paper isn’t just about size. It’s also about perspective. Moving between large canvases and smaller paper works sharpens my eye and keeps my process fresh.


Smaller works force clarity: every mark matters, every shape must hold its place. These studies often resolve questions I face in larger paintings, acting like visual sketches that guide me forward. Returning to big canvases after this feels renewed and more focused.

Paper Feels Less Intimidating And More Playful


There’s something psychologically liberating about paper. A blank canvas can carry the weight of expectation to create something “important.” But paper feels lighter, inviting exploration rather than judgment.


On paper, I can try new ideas and work faster without overthinking (or at least I think so). Often, what begins as a sketch transforms into a finished deeply personal piece. Especially during long breaks from larger works, painting on paper keeps my creative energy flowing.

Affordable, Original, Collectible


Original seascape oil paintings on paper also bring something special to collectors. They’re smaller and consequently more affordable than large canvas works, yet remain completely original and handmade.


For new collectors, these smaller works are an approachable step into collecting art, offering a unique painting that carries the same depth of emotion and story. For seasoned collectors, they add intimacy and variety to a collection.


To me, art should feel reachable. Anyone who feels drawn to the sea should be able to become a collector, starting with one single unique work of art.



The Practical Beauty of Oil on Paper


Some practical notes worth sharing:

  • The canvas-textured, acid-free paper I use is archival and resists yellowing.

  • These works can be framed behind glass or be mounted, preserving them beautifully for years.

  • They’re lightweight and easier to ship worldwide, making them perfect for collectors wherever they live.


But beyond practical details, it’s the freedom and honesty in each brushstroke that makes these pieces matter.

Original small seascape painting in oil on Fabriano paper, depicting dramatic crashing waves under a deep blue sky with rich textures and dynamic brushwork.
OIl Sketch 2025-2

Why I Keep Returning to Paper


Painting original seascape oils on paper isn’t about choosing paper over canvas forever. It’s about keeping the creative process honest, immediate, and alive.


For me, it’s a way to stay curious and open, to explore movement, light, and emotion without overthinking. For collectors, it’s an invitation to share in that exploration, bringing the spirit of the sea into your home in a unique, one-of-a-kind way.


🌊Thank you for taking the time to read this post!


Exploring the sea through small oil paintings on paper has become an important part of my practice and I would be glad to hear your own thoughts in the comments.

If you wish to view more of these works, you may visit my Oil Sketches Collection or subscribe to my mailing list by clicking on the button below to stay updated.


Until next tide,


Marina Syntelis signature

 
 
 

6 Comments

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Guest
Sep 05

Hi Marina, it took a few days before I read your wonderful text about painting on paper because I was in Italy.


You explained it perfect and of course you know I can understand the reason why you chose to paint on paper from time to time... for me it is the same as a painter for years and years, and trying to get the directness and freshness that you reach on paper also on canvas is quite difficult. The reasons for this you descibe perfectly here!!


All great painters are trying to do so and coming there later in their lives, coming to the source of creativity. Think of Rembrandt, Picasso, Van Gogh, Turner etc.


I think you really…


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Marina Syntelis
Marina Syntelis
Sep 05
Replying to

My most heartfelt thank you for your kind words of praise and encouragement! They’re more precious to me than you can imagine! Thank you🌊🙏🩵🩵🙏

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Guest
Sep 03

do you ever use a reference photo to inspire a painting

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Marina Syntelis
Marina Syntelis
Sep 04
Replying to

Thank you very much for your question. When I first started to paint the sea I always used reference. As I got used to the technique and became even more connected with my theme, I started to use it more as a medium to convey my own thoughts. Therefore, I started to create my own digital sketches to save time and use them as my reference. Only recently have I attempted to completely remove my safety net, and work straight on a blank canvas with only a vague idea in my head. I prefer to create seascapes that don't necessarily represent the sea in a realistic way but they're more of my own interpretation of the sea. I really hope…

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Linda
Aug 25
Rated 5 out of 5 stars.

I love this idea! What type of paper do you use?

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Marina Syntelis
Marina Syntelis
Aug 28
Replying to

Thank you very much for your comment. Lately, I've been using Fabriano Tela 300gr which I find great. It is strong, canvas textured and doesn't need to be primed to hold the oils. I really think it's worth giving it a try.🌊🖌️

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